The Michelin Guide to restaurants has been around for more than 100 years and claims more gravitas, by sheer longevity, than most other dining guides. Recognition bestowed by this particular institution, known as the Red Guide, can make or break a restaurant -- "especially in France," said Rita Jammet, one of New York's celebrated foodies, at the New York awards celebration last night. Ms. Jammet and her husband, Andre, owned the iconic restaurant La Caravelle in New York. Chef Jammet's roots go back to his family's hotel, Le Bristol, considered one of the finest in France, where the prestige power of Michelin's stars, quite impressively, still charts the course of the French dining scene. Gaining a star, or two, can boost a restaurant's customer base and launch a chef onto the world scene; losing a star can result in profound loss of esteem and business. In Italy, there is generally a different story to tell by those well acquainted with authentic regional cuisine. Arthur Schwartz, author of Naples at Table and The Southern Italian Table, says that his colleagues there stay clear of Michelin-starred restaurants. "They are not Italian," he smiles, "they are French."

But here in New York, the stakes are not quite so high and there is American-style diversity scattered amongst the stars. Although the Michelin ratings still emphasize formality and presentation once indicated by the commandments of French dining, there are some newcomers on the scene. Jaipur-born chef Hemant Mathur was delighted that his restaurant Tulsi retained its one-star status from last year and continues his tradition of being the first Indian chef to receive any stars in New York during his tenure at Devi. He was also proud enough of his heritage to point out that there are two other Indian restaurants in New York deserving of Michelin stars: Junoon and Tamarind Tribeca. In London, where Indian cuisine is an integral part of their culinary landscape, there are only four Indian restaurants deserving of Michelin's attention. Chef Mathur said that Tulsi's star has brought more than a 25 percent increase in business and attention from diners the world over.

Diversity continues among the 2013 guide's shout-out to several Japanese, Chinese, Korean, Italian and Scandinavian restaurants.

Most agree that a Michelin nod can add great verve to the spirit of the chosen chef, their owners and their staff. Oceana's chef Ben Pollinger received his first Michelin star in 2007 and has retained it ever since. "It perfectly fits our business model," he says. "Our customers, both American and international, feel they will get their money's worth because the star is a symbol of excellence and prestige."

The attendees at the swank celebration last night at New York's Capitale on the Bowery, included tuxedoed chefs and chefs-in-whites. The former were sipping champagne in one hand and back-patting their colleagues with the other. It's always fun to see Jean-Georges Vongerichten glide around a room, or watch Eric Ripert sincerely connect with the public, or spot Daniel Boulud and television chef Alexandra Guarnaschelli full of Michelin bonhomie. Even restaurant guru, Drew Nieporent (co-owner of Nobu) was proud to report that his two-star restaurant Corton and chef Paul Liebrandt again received two-stars this year. The latter group that night, uber-chefs Michael White (Ai Fiori), Julien Jouhannaud (Adour), and Gavin Kaysen (Café Boulud), actually spent the evening cooking. There was Agnolotti with butternut squash puree, brown butter and sage; Guinea hen terrine with rutabaga and pickled mushrooms, and Salade de coquillages with perfectly cooked langoustines, coco bean and tomato pesto.

The Michelin guide, published in 23 countries, has three publications in the United States: New York, Chicago and San Francisco. The Los Angeles and Las Vegas guides have been halted. Would be interesting to know why.

The 2013 Michelin Guide is now available for sale on line and is considerably less ($18.99) than any main course in any Michelin-starred restaurant. Their mobile app is less ($.99/24 hours) than a cup of joe. Bon appétit.

A very good friend -- a force in the food world -- was watching television in the early evening hours of Monday, May 7th when she saw Beyoncé, on the red carpet in front of a bevy of paparazzi, being interviewed. "Wow," exclaimed my friend. The James Beard Awards have come a long way. Beyoncé?" We both laughed as she found out that the carpet beneath Beyoncé's feet actually paved the way to the high-society Costume Ball at the Metropolitan Museum of Art that same night. But at Lincoln Center's Avery Fisher Hall across town, there was a similar buzz as chefs, restaurateurs, sommeliers and TV food stars had their own tomato red carpet to walk upon. At the end of that carpet? Hope, anticipation, excitement and desire to go home with a ribbon and medallion to mark one's importance in the food world hierarchy.

The beloved gastronome James Beard might have actually enjoyed the evening, smack in the center of New York's cultural hub, offering hospitality, as any great restaurant might, to the nominees and their fans who trekked great distances to be part of culinary history. This year marked the awards' 25th anniversary. Often called the Oscars of the food world, they were created to honor the memory of iconic cooking teacher and author James Beard, whose broad inquisitive face appears on the ribboned award. I know. I have four of them. It is a thrill to win. It is also impressive to be nominated as the food world expands at a pace commensurate with the rising tide of obesity (might be interesting to look at that).

If the first food revolution presaged the awards by a decade, the second coming is surely here. Whereas, once the culinary tide went from France to New York, then shifted from East to West, it now glides from Farm to Table. This younger generation, very much in evidence that night, are blogging their hearts out and are, perhaps, even more passionate than we were in the mid-70's. (That's the 1970's.) But to my way of thinking, it's not the glitter and fanfare that makes the James Beard Awards important, it is one of few institutions that helps bind, like forcemeat, the past to the present and provides a historical anchor to the future -- one that is often spinning out of control as younger chefs vie for fame and fortune, and in some cases, hone their rhetoric to be sharper than their knives. The older generation of chefs and restaurateurs, on the other hand, have chosen restraint and judgement as their path and watch in amazement (and perhaps amusement, as Beard would have done) at what some of the newly-initiated cooks are calling "cuisine." And that's where context and craft come into focus.

Last year I wrote about the awards and highlighted the ascension of women in the ranks. The piece was called "Women with Beards" (with an alluring jacket cover from the Italian singer Mina), for that's what stood out to me then. But as women have seamlessly woven themselves into the fabric of the industry at many levels (although there is still work to be done), the greater attraction for me now is the food COMMUNITY. It felt like that the other night. A great happening, based on fellowship and nourishment -- a large sangha of men and women devoted to an industry that has had its own coming of age -- complete with glamour and glitz.

Do yourself a favor and google the award winners -- from cookbook authors to satirical journalists, from TV stars to rising stars, from lifetime achievers to who's who-ers, from beloved old restaurants to best new restaurants. And there's a nice photo of Daniel Boulud and "friend." That friend is me. More fan than buddy, I will cherish the photo, always, as he represents all that is good in our industry.

Kudos to all the winners, to all the nominees, and to the James Beard Foundation for continuing to raise the bar higher and higher while keeping us all rooted in our culinary history.