Reinventing Radical

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There I was, giving a cooking demonstration in New York City’s vibrant Union Square Market, when I ran out of food. The line for “free tastes” was growing ominously that sultry summer afternoon. What to do? I begged a farmer for a bushel of overripe heirloom tomatoes and started pureeing the heck out of them in a blender that teetered atop a rickety melon crate. In minutes, the natural pectin bound the tomatoes into a mousse-y froth worthy of a snapshot in Molecular Gastronomy Digest. A touch of fleur de sel made the flavor soar. Everyone wanted a taste of “Pink Tomato Frappe.”

When it comes to cooking, less indeed is more. I have found that three ingredients of uncompromising quality often are all you need to create dishes that taste more delicious than the sum of their parts. Everyone wants recipes that work, but the outcome of cooking depends mightily on the ingredients you choose. Good ingredients are essential to simple cooking because when you cook with just three, there’s nothing masking inferior quality. Three ingredients mean less shopping, less preparation, and less clean-up, too. Keeping it simple means you can intensely focus on your relationship with each ingredient, which in today’s parlance means cooking “mindfully.” Your kitchen becomes a more welcoming place. It’s magical watching a chocolate cake evolve from a trio of eggs, chocolate, and butter; or an entire meal blossom from just twelve ingredients. So commit to buying the freshest vegetables, herbs, and fruits—preferably in season—from a farmer’s market or top-quality supermarket. Although we pretend to escape dependency on the seasonal cycles of nature, we delude ourselves. Raspberries shipped from Chile in sealed gas containers in December, broccoli harvested before a frost, tomatoes plucked green and trucked two thousand miles— all are dilute imitations of the real thing that seduce our appetites but corrupt our tastes. My radically streamlined approach to cooking – the antithesis of “molecular” – exploits the qualities of fresh ingredients with a highly original approach that has unknowingly influenced some of the world’s best chefs. Like the minimalist movement in art, which reacted to the excesses of abstract expressionism, many contemporary chefs are exploring a radicalized mode of cooking. Laurent Gras made headlines at the Waldorf by cooking with only two ingredients. Daniel Boulud, said “Cooking with three ingredients is the way a chef really wants to cook at home.” Boston’s Lydia Shire once said “some of the world’s best dishes have no more than three ingredients.” Charlie Trotter made his opulent scramble with only three ingredients — organic eggs, crème fraiche, and butter. And the late Joel Robuchon not long ago proclaimed, “We’re aiming for simplicity. We’ve moved towards a cuisine where the original flavor of the natural product is a recipe’s most important element.”

But celebrating the inherent qualities of today’s superlative ingredients is by no means new. “Let a cabbage soup be entirely cabbage…and may what I say about soup be a law applied to everything that is eaten,” said Nicholas de Bonnefons, a valet in the court of Louis XIV. Likewise, Curnonsky, known as the prince of gastronomes, surmised that “cuisine is when things taste like themselves.”

I couldn’t agree more.

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Pink Tomato Frappe

Nothing expresses the idea of summer better than this one-ingredient recipe. Each pound of tomatoes makes 2 cups of soup. Bonus: After a few minutes, the pectin in the tomatoes firms it up, making a kind of mousse.

3 pounds very ripe red tomatoes
Fleur de sel or Maldon salt

Wash and core the tomatoes. Cut in half through the equator and squeeze out the seeds. Cut half the tomatoes into chunks and put in a blender. Process until completely smooth and foamy. Transfer to a bowl. Repeat with the remaining tomatoes. Add fleur de sel to taste. Sprinkle more on top before serving. Serves 6

Techno-Gastronomy in the Big Apple

logoImagine lots of food for thought by inspired thinkers who inspire others to probe both the virtual and the tangible corners of the edible realm. This is the food + technology conference taking place in New York City on April 3 through April 5th, and I can't wait to go. More auspiciously called The 2014 Roger Smith Conference on Food/ From Flint Knives to Cloned Meat, the line-up includes more than 100 presenters, 31 panels, workshops and receptions but, most importantly, the event promises an extensive three-day flirtation with culinary luminaries and like-minded scholars - more than 250 of them. From Modernist Cuisine to The Brave New World of 3-D Printing, there is something here to satisfy anyone's taste for knowledge and thirst for the unknown.

Last year, the conference, held at the Roger Smith Hotel, was devoted to the erudition of cookbooks and featured a tantalizing array of speakers - from Mollie Katzen to Amanda Hesser. This year, Andrew Smith, the conference founder and driving force (along with organizers Roger Horowitz, Cathy Kaufman, and Anne Mendelson), imbues today's food vortex with "ambiguity." The sympathetic tag to the event's flinty name is, after all, "Our ambiguous love, hate, and fear of food technologies." I'm there.

The conference's leaders describe food technology as "any imaginable means of using and manipulating food, from cracking nuts with a rock to molecular gastronomy. The very act of deciding what is or isn't food is intrinsically bound with up technology." Wylie Dufresne, a leader of the movement to integrate science with food preparation and presentation will be there. So, too, will be experts in milling, flour and bread baking techniques, sensory profiling, wine and terroir, and biotechnology. Other compelling subjects include "The Eight Minute Egg" and "The Technology of Cake." A lecture on coffee would go nicely right here.

And there are workshops in social media for food writers, on the history of chocolate, and the truth about olive oil, led by Nancy Harmon Jenkins, the author of The New Mediterranean Diet Cookbook.

Andrew Smith, a prolific writer and assistant professor of food studies at The New School, is particularly excited this year to have panelists coming from all over the United States and from six countries to participate. His latest book is New York City: A Food Encyclopedia (AltaMira, 2014); and his 3-volume Food and Drink in American History: A "Full Course" Encyclopedia was released by ABC-CLIO in November 2013. This is a man who can clearly handle a lot of information and knows a heck of a lot about New York City. If you already live in New York, this conference is a must. If you live out of town, it is an excellent reason to visit. For more information, to register, or book a room at the Roger Smith Hotel, go to foodconferences@gmail.com or http://thefoodconference.com/workshops.php.

And why does this conference matter? We are a nation obsessed with food and technology. The flow of one has always influenced the outcome of the other. Now we need to find out how they go together on one plate.